DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently yearning romantics, using this type of variance: Buster would seem a plausible mate, along with the Tramp barely seems to have a libido, only idealized notions. If their comedies had been designed in a more liberated time, it is possible to assume Keaton in bed with a lady, but disquieting to think of the Tramp being a sexual be